10 Best Reviews on Netflix in 2020

Netflix will continue to produce an impressive lineup of original content in 2020, winning 21 Emmy Awards (second after HBO’s 30 victories), The Crown’s Season 4, the dreaded Haunting of Bly Manor, We will release acclaimed series such as the second season of. A bold arrangement of the Umbrella Academy graphic novels. Below, we’ve compiled a list of Netflix’s most reviewed shows in 2020, using Metacritic as a barometer. According to Metacritic, rated from 0 to 100, “Carefully select a large group of the world’s most respected critics, assign scores to reviews, and apply a weighted average to summarize the scope of opinion. The results are as follows: A single number that captures the essence of critical opinion in one Metascore. Each movie, game, television show, or album featured in Metacritic has at least four critics. Get a Metascore when you collect reviews for. “

Click or read the slideshow below to see the 10 most reviewed shows on Netflix in 2020.

10 Best Reviews on Netflix in 2020

Cheer: Season 1-Metascore 81

This compelling documentary series follows a competitive cheerleading team at the University of Navarro, Texas, competing for another national title with demanding coach Monica Aldama. The Washington Post’s Hank Stubber calls it “often a surprisingly moving documentary series.” And Vulture’s Jen Chaney wrote in Cheer, “A serious video journal about the challenges posed by this dangerous sport and how men and women who have made it the center of their lives stand up to meet them.” It states that there is.

Midnight Gospel: Season 1-Metascore 82

This adult animation series follows Clancy, a spaceship with a dysfunctional multiverse simulator. Clancy leaves the comfort of his extra-dimensional home on the chromatic ribbon and interviews creatures living in other worlds. ‘s Jesse Schedeen calls The Midnight Gospel “a unique experience, but viewers should skip to the last episode.” Eric Kohn of IndieWire states that the series “forces the evaluation of its core material beyond the distractions of many moving parts.”

Sex Education: Season 2-Metascore 83

Sex Education Season 2 follows a young Otis Milburn (Asa Butterfield) struggling to cope with the complexity of high school and the awkwardness of living with her mother, a sex therapist, Jean (Gillian Anderson). “Although not as strong as Season 1, sex education still shines with fun characters, good honesty, and inclusiveness,” said Matt Fowler of . “Even small parts have a sketched inside story and some good gags,” says Guardian Lucy Manganese.

Feel Good: Season 1-Metascore 83

Feelgood is centered around May (May Martin), an ambitious comedian who fights the fierce romantic relationship between addiction and George (Charlotte Ritchie). Slate’s Willa Pascin said, “The lack of purity in a romantic comedy effectively makes up for it. I find that the couple are together and helping to break the hell apart. I did. ” “Feel Good feels modest, insightful and realistic, as many televisions try to do, but it’s rarely achieved this way,” said Caroline Framke, a variety show. I am.

Immigrant State-Metascore 85

In this six-part documentary, immigrant states capture the day-to-day operations of customs enforcement agencies, activists, lawmakers, and attorneys. Judy Berman of Time Magazine calls Immigration Nation “the most important TV show of the year.” And Vanity Fair Sonia Saraiya said, “The immigrant nation also tells the story of a human being who filmmakers sit with immigrants to hear the story of their particular suffering. Each is like a whirlpool and weighs. It extends to an unknown dimension of personal sadness. “

Unorthodox: Season 1-Metascore 85

Set in Berlin, Unorthodox is a powerful coming-of-age story following a girl who refused to raise conservative Jews. Newsday’s Robert Levin calls Unorthodox “the achievement of burning power and elegance, equally in harmony with big, drastic emotions and small moments of observation.” “Unorthodox finds a lot of humanity, even characters that are certainly villains,” said The Hollywood Reporter Dan Feenberg.

Crown: Season 4-Metascore 85

In the fourth season of the Crown, Prince Charles (Josh O’Connor) falls in love with beautiful Diana Spencer (Emma Corrin), and Elizabeth II (Olivia Colman) is a formidable new named Margaret Thatcher (Gillian Anderson). Confront the Prime Minister. .. “Crown continues to prove why it’s one of the best shows on Season 4 television, with a great performance by an ensemble of characters and a great writing by showrunner Peter Morgan and his team,” said David Griffin of . I am. ” “Tatcher and Diana give the Crown the energy and direction it lacked in the third season, giving the show a more vibrant sensation than ever before,” said Kathryn Van Arendonk of Vulture.

Baby-Sitters Club: Season 1-Metascore 87

Based on a best-selling book, Season 1 of the Baby-Sitters Club includes best friends Christie Thomas (Sophie Grace), Mary Ann Spear (Maria Baker), Claudiaxi (Momona Tamada), Stacy McGill (Shaledorf), and Dawn Schafer ( Xochitl Gomez) has started its own baby-sitter business. Decider Megan O’keeffe calls it “a complete victory. It’s sweet, entertaining, hopefully, but above all, encouraging.” “It feels as refreshing, sweet, honest and lovely as a girl’s old-fashioned business model,” said Alan Sepinwall of Rolling Stone.

Lenox Hill: Season 1-Metascore 87

Lenox Hill is a life-following documentary of four doctors (two brain surgeons, an emergency room doctor, and a chief trainee OBGYN) at a prestigious New York City hospital. John Anderson of The Wall Street Journal calls it “a peculiar work about people, their work, and where they do their work.” “The show celebrates them and their efforts, and you can’t help but feel it in your heart,” said Decider Lee Palmieri.

In the final season of BoJack Horseman, Netflix successfully closed the story of a self-loathing alcoholic comedy star in search of reimbursement. Mathew Doherty of said: “BoJack Horseman was in the second half of Season 6, tense, tense (but not so cheerful), the essence of our existence, the blow of personal failure, and even the most familiar to us, if hurt. “What I have in.” Decider Keila Cobb said, “In the end, Bojack may have lost some friends, but in his new life, all of his dark secrets are fully visible. Bojack was given something much more valuable. By living, Bojack was given a chance. True happiness. “

David Griffin still sees DuckTales in his pajamas with a serial bowl in his hand. He is also the TV editor for .Hello twitter..


Back to top button