The preservation of genre cinema continues to grow and gains momentum around the world. Today, the European Genre Film Foundation (EGFF) was launched in Cannes.
This non-profit organization aims to retain the titles of movies in the European genre and model the movie archives in the American genre. As stated in the announcement below, “… EGFF is a film library, archive, rights holder, scholar, film festival, and other institutions to preserve the often overlooked parts of film history. I will cooperate with you. “
The work done by EGFF is extensive. Apart from the restoration, “arranging symposiums, workshops and film screenings” is also part of the plan. They will work with exhibitors and film festivals to bring these films back to the big screen on their own.
The first batch of films that EGFF is working on is Joseph W. Sarno’s Swedish erotic drama. Young toys..Six Swedish porn A movie made by Nikkatsu (yes, Nikkatsu) starring a Swedish actor. Calvin Floyd’s 1977 movie, Victor Frankenstein (Frankenstein’s Fear), Another Swedish co-production. Arne Mattson’s fantasy drama, Vaxdockan (doll)..And the only non-Swedish movie in this first batch Pigalle-Illusions (Pigalle carrefour des illusions)Made by the French crime drama thriller Pierre Chevalier from 1973.
Why such a strong Swedish representative in this first round? Headquartered in Stockholm, EGFF is one of EGFF’s board members, Rickard Gramfors of Cultpix, also based in the Swedish capital. Cultpix is an online SVoD service that shows cult and genre movies in the public domain. Revenue from Cultpix will help fund EGF’s efforts.
It’s a long way to go for EGFF, but we admire their efforts and look forward to what they unearth throughout Europe.
European Genre Film Foundation (EGFF) launched at Cannes Film Festival
Streaming Platform Cultpix Funds Restoration and Research Projects for Movies of the Genre
The 75th Cannes Film Festival today unveiled the European Genre Film Foundation. EGFF is an international non-profit organization founded with the goal of regaining and raising awareness of classic European and international films. Headquartered in Stockholm, Sweden, but with an international board of directors, EGF works with film libraries, archives, rights holders, scholars, film festivals and other institutions to create overlooked films. Save a part of history.
EGFF is modeled on outstanding work already done by Martin Scorsese’s Film Foundation and the American Genre Film Archive (AGFA) in the United States. EGFF will be funded by streaming public domain movies on the Cultpix SVoD platform and other sources. Launched last year, Cultpix has since established itself as a world-leading service in classic cult and genre movies, with more than 20 content partners and more than 800 movies and television shows every month. 30-40 titles have been added.
Rickard Gramfors, Chairman of EGFF and co-founder of Cultpix, said of the announcement: A dedicated international organization for storing them for future viewers. “The genre of film is the starting point for many of Cannes’ popular directors, actors and creatives. Controversial topics long before entering mainstream cinemas.” “I’m touching it,” said Dr. Kate Eagan, a senior lecturer at the University of Northern Bria and a board member of EGFF.
Among EGFF’s first projects is a 4K film scanner specializing in academic research by filmmakers in the historic female genre of Europe and the digitization and restoration of films and related materials in genres that are declining in archives. There is funding for the setup of. EGFF also arranges symposiums, workshops and film screenings on its own or in collaboration with other film festival and cinema operators. EGFF itself does not publish or distribute the film, but instead identifies, supports, and partners with existing rights holders and libraries for which access to the materials in the archive was not commercially viable.
The Board of Directors of the European Genre Film Foundation includes:
Cultpix AB / Klubb Super 8 AB (Sweden) CEO, Rickard Gramfors
Something Weird Video (USA) CEO Lisa Petrucci
Dr. Kate Eagan, Senior Lecturer, University of Northern Britain (UK)
Professor Mariah Larsson, Institute of Film Literature, Linnaeus University (Sweden)
Gerard Ducheaux Soy, Project Manager, Lyon, International Classic Film Market, Head of Cannes Classics (France)
Miko Aroma, Night Vision Director, Scandinavian Genre Invasion Chairman (Finland)
SLSO (Sweden), Administrator of Social Sustainability and Collaboration, Henrik Gouali
More board members will be announced in the near future.
Genre films are considered to be particularly relevant to the legacy of European cinema, including German Expressionism, which underpinned Noir’s criminal drama, Jaro’s thriller in Italy, Macaroni Western, and Hammer Horror in the United Kingdom. The region has since become the origin of the globalized film category. French literature erotica etc. Only a handful of such films are lately recognized by the National Film Archives, critics and scholars, but every time such films are rescued and restored, countless films are forgotten and dusty. It deteriorates with a can like that. Already lost forever.
In the next phase, EGF will begin consultations with European film archives, public agencies and rights holders, and film enthusiasts and as many viewers of the film as possible will identify, rescue and scan these films. Develop comprehensive plans and workflows for availability. Historian. It’s part of a European film heritage that has never walked the red carpet, but it illuminated thousands of screens and had a huge impact on the film art and audience of the time.
Future restorations of European vintage genre films include Joseph W. Sarno’s “Lost Films” Young toys (1972) Starring Christina Lindberg. Caltopics has discovered a previously unknown 35mm print and has been restored by AGFA (American Genre Film Archive). Six “legendary of Nikkatsu in Japan, but never seen beforeSwedish pornThe film, Swedish actor, shot in Sweden from 1971 to 1973. Two films starring Swedish cult actor Per Oscarsson: Victor Frankenstein (1977) Director Calvin Floyd, and Vaxdockan (doll) (1962) Director Arne Mattsson – Both were restored in collaboration with the Swedish Film Institute.When Pigalle-Illusions (Pigalle carrefour des illusions) (1973) Director Pierre Chevalier (restoration in collaboration with Eurocine). Other titles to follow.
European Genre Film Foundation (EGFF) launched in Cannes
https://screenanarchy.com/2022/05/european-genre-film-foundation-egff-launches-at-cannes.html European Genre Film Foundation (EGFF) launched in Cannes
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