Peter Jackson describes changes to the new 4K edition of The Lord of the Rings

Last week’s noisy announcement in the industry that Warner Bros. Pictures will release the entire 2021 movie slate directly to HBO Max cast doubt on the future of the theater experience, but having a quality home entertainment setup is better. More essential than ever.Christmas day release Wonder Woman 1984 Marking the release of Dolby Atmos, the first 4K HDR on HBO Max, but not the last. These advances, which are becoming more adaptable to mainstream viewers, are encouraging other filmmakers to ensure that their classics meet the standards of the “living room film” revolution. That’s why Peter Jackson wasn’t able to sit down and collect dust in the Lord of the Rings trilogy.

Just in time for the vacation, Jackson, his creative team, and Warner Bros. have released a new Lord of the Rings trilogy and Hobbit trilogy set remastered for 4K UHD and Dolby Atmos. To prepare the audience for listening to “changes” and thinking about George Lucas’ endless process of updating Star Wars movies, Jackson has an introductory video explaining exactly what he did to his fantasy epic. I recorded it.

“It was fun to go back and revisit these films because I understood how inconsistent these films were, because of how the Lord of the Rings trilogy was filmed.” Jackson states in a five-minute video.

The Jackson and WETA Workshop team pushed the limits of available technology every day in the original trilogy of major shoots from 1999 to 2000, despite the fact that everything was produced together. Made each movie a unique process.on the other hand Ring fellowship, Two towers,and The return of the king All of Jackson was shot on 35mm film and completed the first film with “old-fashioned mechanical” color timing. This is a tedious photochemical process designed to perfect the colors of onset photos. The second and third films featured more advanced digital color timing, allowing Jackson to more accurately adjust specific hues for each frame and sequence, but ten years later in the Hobbit trilogy. Nothing compared to what I got.

Jackson captured the story of Bilbo Baggins with a 4K digital camera and processed the image with state-of-the-art color timing. The aesthetic gap between the films has allowed the director to return to the studio to make all the films look “as if they were filmed at the same time.” He says 4K HDR remastering has successfully achieved that consistency.

“4K isn’t just about pursuing pure sharpness, it’s about keeping everything sharp and at the same time maintaining a cinematic look,” he says.

Converting to 4K HDR required many of the film’s effect shots to be upgraded, resulting in high resolution defects. “Visual effects technology has come a long way in the last two decades, and when it became very sharp and sharp in the 4K process, we realized that some shots weren’t holding up well,” says Jackson. “So we had the opportunity to go back and fill in the flaws.”

Jackson knows exactly what you are thinking: Legolas should still be shot first! However, in the video, he and WETA claim that they haven’t “upgraded” or “enhanced” the effect shots, which is exactly what we’re used to. Except what seems to have happened today, not 20 years ago.

One of the things Jackson seems to have in common, as Lucas sees his story as one giant story. Hobbit films are not considered by the director to be some lark — they are the preamble to their beloved film. Now, for the first time in 4K, they feel like “one big long movie telling the same story.”

Returning to The Lord of the Rings also helped Jackson think about the continued relevance of his film. In the video, he digs a bit into the hive to explain why his view of Tolkien continues.

“It’s not about heroes or superheroes,” he says. “It’s the story of ordinary people who set out to save their world.”

The Lord of the Rings Extended Trilogy 4K UHD and The Hobbit Trilogy 4K UHD have been released.

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