Tisha is an assassin and organ dealer in the post-apocalyptic world. After work, Tisha was asked by a handler to visit an old woman outside the town. The old woman wants to hire her to kill someone at a brothel where she used to work. When Tisha finds out who it is, she goes to the brothel without spending money and just taking revenge on her heart.
Scavenger This is a feature film debut directed by Luciana Garaza and Eric Freitas. The pair also shares writing and production credits with Sheila Fentana. They are some of the young directors appearing in the Latin American region, doing whatever it takes to make a film in the region. Where there is a will, there is a certain way.
Scavenger Withstands all the bumps and dips of movies in the microbudget genre, and it’s ok. There is an allowance for DIY microbudget genre movies. Sometimes you can succeed just by making a movie in the first place. You obviously make concessions for movies that work on a very, very small budget. But that’s the production side of things, and Garaza and Freitas are doing a great job in Mad Max’s films, sticking to the already familiar art direction styles of rubber, leather, spikes, and more.
They also make use of some great things for camera gussets and makeup effects. For hardcore horror enthusiasts, they will be delighted to see some of the horrifying Gore effects that take place on the camera. Near the end of the movie, Tisha got a particularly destructive weapon. It gives us some great quick and dead results when she destroys some bad guys. And because there is an unwilling organ donation on the table, the movie also has a fair amount of internal organs and meat, which is expected to have an impact on the body.
Several Scavenger It also feels very simple. I don’t understand how the strip club spectators are portrayed in the film. You see, are you going to discuss with the Hulk sitting in front of me swinging his ax over your head, is it just ill-shaped? No, probably not. It is rude to leave it on the table in this state. However, the customers of this suburban brothel are also few specimens of peaks. You’ve seen it many times, so you know what I’m talking about, that fake enthusiasm requires the extras to be portrayed as waving and cheering in the air. I’ve never waved in the air. “I’m at a strip club! ”
But every time you have to make a movie, you have the opportunity to learn and improve from them. Our concerns here and concerns about future projects from these filmmakers are in their story. Now, when Tisha goes to a brothel, I would like to express her concern about scavengers. Specifically, we need to talk about what we must experience to reach our reward, Tisha’s revenge!
When Tisha enters the brothel, she is captured and attacked. The villain isn’t happy to attack her once, so he attacks again with another “weapon”. The essence of this attack already demands more from at least half of the audience, but the other half of us should not be asked to tolerate so much of this type of violence. There is it.
That said, she finds her indomitable spirit and takes revenge on the attacker and his goon squad. Another problem here is that it is not enough to reward us for what we have just experienced. It feels almost like a retrofit. “Oh. And she gets revenge. the end’. Yes, the gun she picks up and uses has some creative and fun additions, but there’s also a lot of off-screen violence that shouldn’t have been denied.
Brutal violence and internal organs tend to lose focus and bookend stories that occupy themselves with meaningless fillers. For example, after he attacks Tisha, the brothel boss is called to go to another place where they are running. Then we watch him sitting in the bar for a while. Order drinks for a while and wait for the girls to come out so they can go. So really? why? For what? The movie stalls here because nothing is happening. There is nothing important. Perhaps that’s why Tisha feels less time spent taking revenge on prisoners. Who wants to see his boss sitting in the bar and ordering drinks while waiting for the girl?
Early films are an opportunity to learn and build on your skills. It’s too early to know what kind of filmmakers Garaza and Freitas want to be. No one builds a career by constantly making apocalyptic horror films. Whatever they work on next, together or apart, they should keep in mind what audience they want to entertain and share their stories with.
The horror audience wants to be exaggerated and entertaining, but they also need something to free them from their sinful joy. If you haven’t done that, they’re sticking to that sickness in their stomach.And if you are offering more severe violence, you need at least a balance of subsequent relief, unfortunately. Scavenger I don’t do it enough. Paying more attention to their use of time will also make Garaza and Freitas better storytellers and filmmakers.
Scavenger (CARRONA), an imbalance of apocalyptic thrills and liberation from barbaric violence
https://screenanarchy.com/2021/05/review-scavenger-carrona-an-imbalance-of-post-apocalyptic-thrills-and-relief-from-savage-violence.html Scavenger (CARRONA), an imbalance of apocalyptic thrills and liberation from barbaric violence
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